Scales, and what they're for
Not drills for their own sake. Knowing the ground under your feet so you can hear where a phrase is going before you play it.
Private lessons · online or in Sonoma County
Most people practice alone, get to a certain point, and stall there. I don't teach you more licks. I teach you where you are on the instrument, so you stop being a passenger on it.
Almost everyone learns this instrument the same way: by collecting. A lick off a record, a lick off a video, a turnaround somebody showed you at a jam. It works, for a while. It got me a long way too.
The trouble is a collection is finite, and you can hear the edges of it. When you don't know what's underneath the phrases, you can only ever rearrange the ones you've got.
Going back and doing the work on the scales is what took the lid off.
In whatever order your playing needs it.
Not drills for their own sake. Knowing the ground under your feet so you can hear where a phrase is going before you play it.
Your tone is the thing people actually hear. It's worth the time it takes, and most players never give it any.
Not just getting the note down, but knowing what you're bending to and why it works there.
Knowing when to play and when to lay out. Hearing the change coming. Finding the right key harp for the song. This is where all of it is going.
Where it goes
Everything we work on is pointed at the same place: being able to sit down with other musicians and hold your end up. Knowing the ground under a tune is what makes that possible.
That's the part nobody can hand you a lick for.
Most of my students learn this way now, from all over.
I need to hear your tone and see your hands. A laptop camera gives me both — there's no big instrument to angle and no room to mic up.
The harps you already play, a laptop or tablet with Zoom, and somewhere you don't mind making noise.
An easy drive from Sebastopol, Santa Rosa, Guerneville, Healdsburg and the rest of Sonoma County.
Private slots are limited, so I'd rather be straight about it.
No. Knowing where you are on the harp and reading notation off a page are two different skills, and only the first one is what we're after.
Then we fix that, because it's load-bearing for everything after it. Plenty of players have been faking a bend for years without knowing it — that's a normal place to start.
Depends what you put in between lessons. The honest answer is that the wall usually comes down sooner than people expect, and then the real work starts and never really stops. That's the good part.
They do. I need to hear your tone and see your hands, and a laptop gives me both. Most of my students are online now, well outside Sonoma County.
We talk about it on the call, once I know what you're trying to do. I'd rather tell you honestly whether I'm the right person than have you pick off a price list.
The harps you already play, somewhere you don't mind making noise, and a bit of patience for work that isn't flashy.
Send me a note about what you play, how long you've been at it, and where it quit getting better.